Here is a track sheet from the recording sessions.  A purist approach was utilized at every step of the recording process.  All microphones were routed through very pure microphone preamps: a Millennia HV-3D. These preamps were selected for their pristine, pure and uncolored amplification; as well as massive headroom and an exceedingly low noise floor.  All studio cabling is Mogami Neglex.  From the six Millennia mic preamps, the lines were routed into a 24-bit/96k 16-track digital recorder.  No EQ, compression or limiting was used; either in the live recordings or during mixdown.  Not using compression or limiting means that the overall volume level of the final CD will be somewhat lower than most other CDs.  However, the beauty of no compression is that the full and natural dynamic range is captured.  No equalization was used; either during the live recording or during the mixing or mastering.  No studio tricks; no overdubs.  What the listener hears on the CD is exactly how the compositions were performed in the recording studio.  The only effect which was used was the addition of Bricasti M7 digital reverb during the final mix. 

From Studio Traumwald's lush but precise sounding live room, to the 24-bit/96k digital recording process to the final step of cutting the single-speed glass master, the end result is a very beautifully recorded, audiophile-grade CD.